Angus, Greg | NaturesScene https://www.naturesscene.com Since 1977 Wed, 14 Jun 2023 16:15:10 +0000 en-US hourly 1 190743318 Unity 4 https://www.naturesscene.com/product/unity-4/ Thu, 30 Mar 2023 18:49:57 +0000 https://www.naturesscene.com/?post_type=product&p=20552 Unity 4 – 24″ x 24″, wax and oil paint on wooden panel, call for price

 

Unity 3 is available for purchase

]]> 20552 Unity 3 https://www.naturesscene.com/product/unity-3/ Thu, 30 Mar 2023 18:47:42 +0000 https://www.naturesscene.com/?post_type=product&p=20550 Unity 3 – 24″ x 24″, wax and oil paint on wooden panel, call for price

 

Unity 3 is available for purchase

]]> 20550 Numina https://www.naturesscene.com/product/numina/ Thu, 30 Mar 2023 18:45:37 +0000 https://www.naturesscene.com/?post_type=product&p=20549 Numina – 71″ x 78″, wax and oil paint on wooden panel, call for price

 

Numina is available for purchase

]]> 20549 J.D. https://www.naturesscene.com/product/j-d/ Thu, 30 Mar 2023 18:43:27 +0000 https://www.naturesscene.com/?post_type=product&p=20548 J.D. – 48″ x 72″, wax and oil paint on wooden panel, call for price

J.D. is available for purchase

]]> 20548 Its Not Dark Yet But Its Getting There https://www.naturesscene.com/product/its-not-dark-yet-but-its-getting-there/ Thu, 30 Mar 2023 18:39:53 +0000 https://www.naturesscene.com/?post_type=product&p=20545 Its Not Dark Yet But Its Getting There – 33″ x 60″, wax and oil paint on wooden panel, call for price

 

Its Not Dark Yet But Its Getting There is available for purchase

]]> 20545 Epiphany https://www.naturesscene.com/product/epiphany-2/ Thu, 30 Mar 2023 18:35:54 +0000 https://www.naturesscene.com/?post_type=product&p=20540 Epiphany – 60″ x 48″, wax and oil paint on wooden panel, call for price

 

Epiphany is available for purchase

]]> 20540 Last Dance https://www.naturesscene.com/product/last-dance-2/ Tue, 19 Mar 2019 18:54:08 +0000 https://www.naturesscene.com/?post_type=product&p=13093 Last Dance – 44″ x 33 1/2″, wax and oil paint on wooden panel, call for price

]]> 13093 We Are What We Have Been Looking For 4 https://www.naturesscene.com/product/we-are-what-we-have-been-looking-for-4/ Thu, 06 Sep 2018 17:40:58 +0000 https://www.naturesscene.com/?post_type=product&p=12608 Each painting is made with wax and oil paint on wooden panel. Two different types of wax are melted down and oil paint is added to the liquid wax to create a variety of colours. Each colour is applied to the panel in a single, complete layer. Layers are built up in specific colour sequences in order to achieve the correct frequency for the base of the painting.

From there the composition is drawn onto the base panel. The negative areas of the composition are removed down to the panel allowing for a second, multiple layering of colour. This second layering is different from the first and is based on the quality of energy needed within the painting. Furthermore, because the second set of layers is applied to a base that has an uneven, almost landscape like surface, the layers of wax move into these cracks and valleys in unexpected ways leaving behind an exponentially more complex surface that marks the beginning of the final stage.

Scrapers, chisels and knives are used to whittle away at the surface revealing the overall skeleton of the painting. Over the course of days and weeks this delicate excavation is repeated. It is a painstaking, intuitive process that demands absolute concentration and a complete letting go. When this state is arrived at the by the panel/wax/colour/painter the painting is complete.

]]> 12608 We Are What We Have Been Looking For https://www.naturesscene.com/product/we-are-what-we-have-been-looking-for/ Thu, 06 Sep 2018 17:39:38 +0000 https://www.naturesscene.com/?post_type=product&p=12606 Each painting is made with wax and oil paint on wooden panel. Two different types of wax are melted down and oil paint is added to the liquid wax to create a variety of colours. Each colour is applied to the panel in a single, complete layer. Layers are built up in specific colour sequences in order to achieve the correct frequency for the base of the painting.

From there the composition is drawn onto the base panel. The negative areas of the composition are removed down to the panel allowing for a second, multiple layering of colour. This second layering is different from the first and is based on the quality of energy needed within the painting. Furthermore, because the second set of layers is applied to a base that has an uneven, almost landscape like surface, the layers of wax move into these cracks and valleys in unexpected ways leaving behind an exponentially more complex surface that marks the beginning of the final stage.

Scrapers, chisels and knives are used to whittle away at the surface revealing the overall skeleton of the painting. Over the course of days and weeks this delicate excavation is repeated. It is a painstaking, intuitive process that demands absolute concentration and a complete letting go. When this state is arrived at the by the panel/wax/colour/painter the painting is complete.

]]> 12606 Temporal Shift 2 https://www.naturesscene.com/product/temporal-shift-2/ Thu, 06 Sep 2018 17:37:10 +0000 https://www.naturesscene.com/?post_type=product&p=12604 Temporal Shift 2 by Greg Angus – 72″ x 72″ – Mixed Media on Panel

Each painting is made with wax and oil paint on wooden panel. Two different types of wax are melted down and oil paint is added to the liquid wax to create a variety of colours. Each colour is applied to the panel in a single, complete layer. Layers are built up in specific colour sequences in order to achieve the correct frequency for the base of the painting.

From there the composition is drawn onto the base panel. The negative areas of the composition are removed down to the panel allowing for a second, multiple layering of colour. This second layering is different from the first and is based on the quality of energy needed within the painting. Furthermore, because the second set of layers is applied to a base that has an uneven, almost landscape like surface, the layers of wax move into these cracks and valleys in unexpected ways leaving behind an exponentially more complex surface that marks the beginning of the final stage.

Scrapers, chisels and knives are used to whittle away at the surface revealing the overall skeleton of the painting. Over the course of days and weeks this delicate excavation is repeated. It is a painstaking, intuitive process that demands absolute concentration and a complete letting go. When this state is arrived at the by the panel/wax/colour/painter the painting is complete.

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