We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Claremont, Ontario, Tom grew up in Leith and moved to Seattle, Washington, where he worked at commercial art from 1901 to 1905. Back in Toronto from 1910 to 1914, he was a commercial designer at Grip Ltd. and Rous and Mann. In 1914, he painted full time under the patronage of Dr. J.M. MacCallum, mainly in Algonquin Park with the future members of the Group of Seven, A. Lismer, A.Y. Jackson and Fred Varley and was influenced strongly by J.E.H. MacDonald. His major canvases were executed in a shack behind the famed Studio Building in the Rosedale ravine, Toronto, Working part time as an Algonquin Park guide, he drowned in Canoe Lake in 1917.

Forest Interior by Tom Thomson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Montreal, AY.Y. Jackson began his career in the art department of a lithographing company. He studied at Monument National and at the Art Association of Montreal under William Brymner. In 1905, he visited Europe, then worked as a commercial artist in Chicago, studying at night at the Art Institute. He moved to France from 1907 to 1910, during which time he studied at Academie Julian in Paris. Jackson returned to Europe in 1911 with Albert Robinson, then moved to Toronto in 1913. He enlisted in the army that year and a became a war artist. A.Y. Jackson was a founding member of the Group of Seven in 1920. He moved to Manotick, Ontario, in 1955 and to the McMichael Gallery grounds in 1968.

Street in Hull, Quebec by A.Y. Jackson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Montreal, AY.Y. Jackson began his career in the art department of a lithographing company. He studied at Monument National and at the Art Association of Montreal under William Brymner. In 1905, he visited Europe, then worked as a commercial artist in Chicago, studying at night at the Art Institute. He moved to France from 1907 to 1910, during which time he studied at Academie Julian in Paris. Jackson returned to Europe in 1911 with Albert Robinson, then moved to Toronto in 1913. He enlisted in the army that year and a became a war artist. A.Y. Jackson was a founding member of the Group of Seven in 1920. He moved to Manotick, Ontario, in 1955 and to the McMichael Gallery grounds in 1968.

Winter Village, Lower St. Lawrence by A.Y. Jackson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Montreal, AY.Y. Jackson began his career in the art department of a lithographing company. He studied at Monument National and at the Art Association of Montreal under William Brymner. In 1905, he visited Europe, then worked as a commercial artist in Chicago, studying at night at the Art Institute. He moved to France from 1907 to 1910, during which time he studied at Academie Julian in Paris. Jackson returned to Europe in 1911 with Albert Robinson, then moved to Toronto in 1913. He enlisted in the army that year and a became a war artist. A.Y. Jackson was a founding member of the Group of Seven in 1920. He moved to Manotick, Ontario, in 1955 and to the McMichael Gallery grounds in 1968.

Winter Village, St. Lawrence by A.Y. Jackson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Montreal, AY.Y. Jackson began his career in the art department of a lithographing company. He studied at Monument National and at the Art Association of Montreal under William Brymner. In 1905, he visited Europe, then worked as a commercial artist in Chicago, studying at night at the Art Institute. He moved to France from 1907 to 1910, during which time he studied at Academie Julian in Paris. Jackson returned to Europe in 1911 with Albert Robinson, then moved to Toronto in 1913. He enlisted in the army that year and a became a war artist. A.Y. Jackson was a founding member of the Group of Seven in 1920. He moved to Manotick, Ontario, in 1955 and to the McMichael Gallery grounds in 1968.

North Shore by A.Y. Jackson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in New Elvet, England, J.E.H. MacDonald emigrated to Hamilton, Ontario, in 1887. He studied at Hamilton Technical School and the Central Ontario School of Art, Toronto, under George Reid and William Cruikshank. He worked as a commercial artist for Grip Ltd. And went to England in 1903 to become a designer for Carlton Studios. In 1907, he returned to Toronto and exhibited the famed “Tangled Garden” in 1916. He was a founding member of the Group of Seven in 1920. MacDonald joined the staff of the Ontario College of Art in 1921, becoming principal from 1929 to 1932.

Evergreen by J.E.H. MacDonald

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in New Elvet, England, J.E.H. MacDonald emigrated to Hamilton, Ontario, in 1887. He studied at Hamilton Technical School and the Central Ontario School of Art, Toronto, under George Reid and William Cruikshank. He worked as a commercial artist for Grip Ltd. And went to England in 1903 to become a designer for Carlton Studios. In 1907, he returned to Toronto and exhibited the famed “Tangled Garden” in 1916. He was a founding member of the Group of Seven in 1920. MacDonald joined the staff of the Ontario College of Art in 1921, becoming principal from 1929 to 1932.

Cloudy Sky by J.E.H. MacDonald

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Claremont, Ontario, Tom grew up in Leith and moved to Seattle, Washington, where he worked at commercial art from 1901 to 1905. Back in Toronto from 1910 to 1914, he was a commercial designer at Grip Ltd. and Rous and Mann. In 1914, he painted full time under the patronage of Dr. J.M. MacCallum, mainly in Algonquin Park with the future members of the Group of Seven, A. Lismer, A.Y. Jackson and Fred Varley and was influenced strongly by J.E.H. MacDonald. His major canvases were executed in a shack behind the famed Studio Building in the Rosedale ravine, Toronto, Working part time as an Algonquin Park guide, he drowned in Canoe Lake in 1917.

Split Rock by Tom Thomson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Claremont, Ontario, Tom grew up in Leith and moved to Seattle, Washington, where he worked at commercial art from 1901 to 1905. Back in Toronto from 1910 to 1914, he was a commercial designer at Grip Ltd. and Rous and Mann. In 1914, he painted full time under the patronage of Dr. J.M. MacCallum, mainly in Algonquin Park with the future members of the Group of Seven, A. Lismer, A.Y. Jackson and Fred Varley and was influenced strongly by J.E.H. MacDonald. His major canvases were executed in a shack behind the famed Studio Building in the Rosedale ravine, Toronto, Working part time as an Algonquin Park guide, he drowned in Canoe Lake in 1917.

Winter in the Woods by Tom Thomson

We have the unique opportunity to promote this rare collection of Canadian icon paintings reproduced in a revolutionary format. Every brush stroke, every patch of unpainted surface, every minute mark, both intended and unintended is duplicated with perfect fidelity. In 45 years we have never seen a finer recreation of an original painting. A cast was created with each painting pressed into a mould, making them virtually identical to the original work of art. The lithograph is printed on neutral pH Phoenix Imperial fine art paper, employing the unique process. Every detail of brushwork and texture in the original oil is duplicated, producing a genuinely recreated painting on the substrate, an African hardwood panel.

Born in Claremont, Ontario, Tom grew up in Leith and moved to Seattle, Washington, where he worked at commercial art from 1901 to 1905. Back in Toronto from 1910 to 1914, he was a commercial designer at Grip Ltd. and Rous and Mann. In 1914, he painted full time under the patronage of Dr. J.M. MacCallum, mainly in Algonquin Park with the future members of the Group of Seven, A. Lismer, A.Y. Jackson and Fred Varley and was influenced strongly by J.E.H. MacDonald. His major canvases were executed in a shack behind the famed Studio Building in the Rosedale ravine, Toronto, Working part time as an Algonquin Park guide, he drowned in Canoe Lake in 1917.

Birches by Tom Thomson